Background · Flyer · Foreground · Poems by Paul CELAN · The Installation · The Composition · Festival of Perth 1997 · scherbentöne . . . ausgewirbelt · An antenna in the history of ELISION · Performances

scherbentöne . . . ausgewirbelt

(shattered sounds . . . whirled clear)
fragments from Richard BARRETT's Opening of the Mouth

Scherbentone 1

Fragments from Opening of the Mouth were presented shortly after as scherbentöne . . . ausgewirbelt. The performances, located around the Goethe Institut-Sydney's building, were accompanied an further installation by Crow, drawing on the same themes as his original installation at Midland Railway Workshops, Perth.

abglanzbeladen . . . auseinandergeschrieben
Peter NEVILLE vibraphone solo
CHARON
Carl ROSMAN bass clarinet solo,
Largo
Deborah KAYSER voice, Satsuki ODAMURA koto, Friedrich GAUWERKY violoncello
Tenebrae
Ute WASSERMANN mezzo-soprano solo,
von hinter dem Schmerz
Friedrich GAUWERKY violoncello solo
Partikelgestöber
Carl ROSMAN clarinet in C solo, with Denise WAMBSGANß mandola, Geoffrey MORRIS guitar, Satsuki ODAMURA koto, Simon HEWETT conductor

Presented by ELISION Ensemble, Goethe Institut-Sydney and the Dutch Australian Centre.

7:00pm, 11 and 12 March 1997
Goethe Institut-Sydney, 90 Ocean Street, Woollahra, Sydney
ELISION Ensemble and Soloists, Simon HEWETT conductor

Scherbentone 3

Images from Crow's installation as part of scherbentöne . . . ausgewirbelt at the Goethe Institut-Sydney. Photography by Heidrun Löhr

http://elision.org.au/projects/opening/scherben.html
Last updated Friday 28 October 2005
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