"Barrett's music, and Crow's installation, were commissioned by
the Festival as part of its commitment to the avant-garde in
post-modernist art. It certainly proves that the Festival is
prepared to take risks in content and presentation."
--Ron BANKS, The West Australian, 5 March 1997
Festival of Perth 1997
Performers and Production
| Paula RAE | flute, piccolo, alto flute, bass flute |
| Carl ROSMAN | bass clarinet, bass clarinet, C clarinet, contrabass clarinet |
| Peter NEVILLE | percussion |
| Denise WAMBSGANß | mandolin, mandola |
| Daryl BUCKLEY | 12-string guitar, electric guitar |
| Geoffrey MORRIS | 10-string guitar |
| Satsuki ODAMURA | koto, bass koto |
| Mary OLIVER | violin, viola, hardanger fiddle |
| Friedrich GAUWERKY | violoncello |
| Deborah KAYSER | soprano |
| Ute WASSERMANN | mezzo soprano |
| Simon HEWETT | conductor |
| Richard BARRETT | composer and sound artist |
| Crow | installation artist |
| Michael HEWES | sound technician |
| Jim ATKINS | recording engineer |
| Andrew CHAMBERS | mechanist |
Left to right:
Daryl BUCKLEY,
Michael HEWES,
Ute WASSERMANN,
Richard BARRETT,
Paula RAE,
Peter NEVILLE (front),
Denise WAMBSGANß,
Deborah KAYSER,
Crow,
Satsuki ODAMURA,
Andrew CHAMBERS (in distance)
Friedrich GAUWERKY,
Carl ROSMAN,
Simon HEWETT,
Geoffrey MORRIS,
Mary OLIVER.
Photo by Ashley de PRAZER
Premiere Performance
Opening of the Mouth was presented as part of the
The Festival of Perth 1997, and premiered at 8:00pm on the 3rd, 4th,
6th, 7th and 8th March 1997,
within and around the Foundry of the Midland Railway Workshops,
Montreal Road East, off Lloyd Street, Midland, Perth, Western Australia.
Fragments of Opening of the Mouth were performed as
scherbentöne . . . ausgewirbelt at the Goethe Institut-Sydney on 11th and 12th
March 1997.
|