Opening of the Mouth
The text of the Festival's publicity for Opening of the Mouth:
A journey of the soul
presented by The Festival of Perth
and the Goethe Institut-Sydney
Composer Richard BARRETT
in collaboration with installation artist Crow, draws
upon the poetry of Paul CELAN and the Egyptian Book of the Dead,
in presenting
a journey into the heart of darkness: for out of apocolypse and annihilation
arises optimism---surely a work for the end of this century.
Opening of the Mouth comes into being at the intersection of two
ideas: one from the beginning of civilisation, one from this century.
The ancient Egyptians belief in life after death involved elaborate
preparations in this world in order to provide an auspicious beginning to a
person's afterlife. The dead underwent an ordeal in the Underworld in which
they were required to bear witness to their deeds in life. The Egyptian book
of the Dead was buried with the person to provide a `script´ for this trial.
During the process of mummification, a ritual known as the
Opening of the Mouth was performed, and was intended to give back the dead
their voices so that theu might thus give an account of themselves.
This ritual and its function give rise to the title and form of the
composition.
`Giving a voice to the dead´ is also one way of describing the work of
the Romanian Jewish poet, Paul Celan (1920-70). His poetry speaks for the
voiceless millions annihilated in the Nazi holocaust, and for his own
experience as a survivor.
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