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Lament of Desire · E-Motion · Anish Kapoor: Void #13 · La Chûte d'Icare · Sonorous Bodies · Time and Motion · transmisi · Inferno · Interrogating the Instrument

1999 Programme
Third Asia-Pacific Triennial

transmisi

10, 11 and 12 September 1999
It's a truism of art and music history that the creativity of each generation has its roots in misunderstanding that of the previous one. On the other hand, collaborations across artforms and across cultural geography are usually characterised by overpolite mutual accommodation, each participant tiptoeing around in an attempt to understand and show respect for the other, resulting in dilution and compromise of both. Heri Dono and I are committed to misunderstanding one another.

transmisi is a Dutch word which became respelled in its colonial Indonesian environment. In our project it stands for the transmission of information, ideas, traditions (between cultures, but also within them); also the adaptations, distortions, misinterpretations which accompany it--imagined not as obstacles but as the work itself. Wayang kulit and music for electro-acoustic ensemble could only be the strangest of bedfellows, but their interweavings are further ramified by video, by oblique approaches to the sound and structure of gamelan, by a sound-performance/image installation which itself misappropriates an empty power station, for its own energy-generating purposes.

--Richard BARRETT

Heri DONO visual artist, Richard BARRETT composer, live electronics, Anthony BURR clarinets, Carl ROSMAN clarinets, Timothy O'DWYER saxophones, Peter NEVILLE percussion, Daryl BUCKLEY electric guitar, Michael HEWES live electronics
8:00pm, 10, 11 and 12 September 1999
The Boiler Room, Tennyson Powerhouse
Softstone Street, off Tennyson Memorial drive, Tennyson

Performances may be postponed by adverse weather

Admittance by invitation or membership of the Third Asia-Pacific Triennial

Arts Queensland

Australia Council

University of Queensland

transmisi is presented as part of the Third Asia-Pacific Triennial, with the assistance of State of Queensland through Arts Queensland

ELISION, Australia's national new music ensemble, gratefully acknowledges the assistance of the Commonwealth of Australia through the Australia Council, it arts funding and advisory body, and the The University of Queensland through the Office of the Vice Chancellor, Professor John HAY

  http://elision.org.au/programmes/1999/transmisi.html
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