La Chûte d'Icare
The Sydney Opera House Trust presents ELISION
with the assistance of the Goethe Institut-Sydney
6:30pm, Sunday 27 June 1999
The Studio, Sydney Opera House
ELISION Ensemble, Carl ROSMAN conductor
Anthony BURR and Stephanie McCALLUM soloists
Brian FERNEYHOUGH La Chûte d'Icare:
Petite Sérénade de la Disparition (1988)-
solo clarinet, flute/piccolo/alto/bass, oboe/cor anglais,
percussion, pianoforte, violin, violoncello, contrabass
AUSTRALIAN PREMIERE
Karlheinz ESSL elision (1997)-
bass clarinet, horn, contrabass, percussion
WORLD PREMIERE
Liza LIM The Heart's Ear (1997)-
flute/piccolo, clarinet, violin I, violin II,
viola, violoncello
Adam YEE yashar yeHezu panemo (1996)-
clarinet in C, violin, cornet, violoncello
WORLD PREMIERE
Brian FERNEYHOUGH Lemma-Icon-Epigram (1981)-
solo piano
Isabel MUNDRY Le silence -- tystnaden (1993)-
flute/piccolo, oboe/cor anglais, clarinet, horn, trumpet,
trombone, violin I, violin II, viola, violoncello,
contrabass, percussion
AUSTRALIAN PREMIERE
This Sydney Opera House concert marks the Australian
premiere of Brian FERNEYHOUGH's La Chûte d'Icare as well as
introducing Australian audiences to the work of the younger European composers
Isabel MUNDRY and Karlheinz ESSL.
"elision was commissioned by the Australian ELISION Ensemble
by its artistic
director Daryl BUCKLEY whom I met in November 1993 after the premier of
Entsagung at IRCAM (Paris).
I stayed constantly in contact with Daryl
Buckley discussing various topics related to this composition where we
realized that we share a similar view of composition aujourd'hui: music that
emerges as a sound process by the interaction of highly complex materials
and its subsequent derivations."
The above statement of Karlheinz ESSL, revealing his emphasis upon the
interaction of complex materials,
holds broadly true for many of the composers presented in this programme.
Adam YEE, for instance,
is concerned with the detailed elaboration of a harmonic architecture that,
at a localised level, is extraordinarily intricate in its microtonal,
rhythmic and `melodic´ conception.
The Ferneyhough works continue to build the repertoire base for ELISION Ensemble's
Ferneyhough recording project. The first release,
on the ETCETERA
label, has met with strong critical acclaim in the New York Times, BBC Music
Magazine and Repertoire. The inclusion of The Heart's Ear of
Liza LIM also draws
attention to a new compact disc of the same name on
ABC Classics,
documenting a decade long relationship between this composer and the
musicians of ELISION Ensemble, and more recently those of
Ensemble Modern of Germany.
Carl ROSMAN,
Elizabeth SELLARS,
Rosanne HUNT,
Anthony BURR,
Peter HORSFALL (yashar yeHezu panemo)
Joan WRIGHT,
Anthony BURR,
Joanne MONTESANO,
Peter NEVILLE,
Carl ROSMAN (elision)
Ensemble (Le silence -- tystnaden)
Presented by the Sydney Opera House Trust and the Goethe Institut-Sydney.
yashar yeHezu panemo
was commissioned by ELISION Ensemble with the assistance of the
Australia Council.
elision
was commissioned by ELISION Ensemble with the assistance of the
Österrichischen Ministeriums für Bildung und Kunst
ELISION, Australia's national new music ensemble, gratefully
acknowledges the assistance of the Commonwealth of Australia through the Australia Council,
it arts funding and advisory body, and the The University of Queensland through the
Office of the Vice Chancellor, Professor John HAY
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